Hilson Vid Rec
Oct. 11th, 2014 11:14 pmI suddenly felt all Hilson-like, you know, House/Wilson. Gosh, these two... \o/
TVLINE | Can you see revisiting this character in the future in some way?
I love this character. And I know Hugh loves this character. I keep it open, but the chances of that happening from a practical point of view are slim. I would hate to lock in my head, “I will never revisit this character again.” That would be a depressing idea to me.
Series creator David Shore recently told TVLine that the House-Wilson friendship will take center stage as the show nears its conclusion. “I think male friendship is something rarely explored on TV or even in the movies in much depth,” he said. “[There's] plenty of wingmen, plenty of guys trying to get other guys laid and stuff like that. But a real friendship with real depth and lasting years and going through challenges and being there for each other and confronting each other… [is unique]. The [House/Wilson] relationship is one I’m particularly proud of because it’s something you don’t see on TV very much.”
"A lot of times, we look at two people who are together and think, ‘that is the most dysfunctional, terrible situation.’” On the other hand, when you take a closer look, she believes, you realize that they actually balance each other. “There’s a force greater than them that keeps them together and it actually works and it’s beautiful.”
For Lingenfelter, that notion immediately brings to mind the relationship between House (Hugh Laurie) and best friend Wilson (Robert Sean Leonard). On the face of it, she suggested, they “don’t seem healthy for each other, but I tried to come up with a B story that suggests that, no, actually, they’re perfect for each other.”
Neal&Sara in White Collar: He just lost the love of his life, she's a Mary Sue, introduced as a love interest from the get-go, then shoe-horned into being a regular in a show that has no need for her character on a regular basis. What rubs me wrong most is that for Neal, Kate's been his whole life for years. And then she died and six months later he was in a steady relationship with Sara and the writers didn't think it was totally OOC.
House&Cuddy in House: He's a drug addict and an ass whom the writers twisted into a pretzel to fit him into this relationship, she was a strong woman till she turned into a doormat when she started pining for him. This relationship made me drop the show like a hot potato and I have never properly returned to it.
Gwen&Arthur in Merlin: He's the king, she's a serving girl. I could see her as his mistress but not as the queen. Give me a talking dragon and I'll embrace it. But for a king to marry a smith's daughter to everybody's approval is so far-fetched, even in a fantasy setting, that I just can't root for it. If she were some low nobility or a knight's daughter, fine. But an uneducated serving girl who used to wash Arthur's almost-sister's dirty undies? Yeah, right.
Van Pelt&Rigsby in The Mentalist: He was so in love with her it was pathetic and she said clearly she loved her job more than she loved him, yet she still can't let him go. I really hope that Rigsby stays with that attorney girlfriend of his, she's cute and they fit together perfectly. Yet, I'm afraid that Van Pelt will somehow ruin it.
Keller&McKay in SGA: She's a self-conscious damsel in distress who considers him an egoist, he's an arrogant geek old enough to almost be her father. I have no idea how the writers came to the conclusion these two were a good match when they have absolutely nothing in common. They turned Rodney from an arrogant but brilliant man into an insecure love-sick puppy, meek enough to do whatever she demands. Talk about character assassination!