Before you read this post, you must know that I a) LOVE Moffat's Irene Adler and b) find Doyle's Irene Adlere boring as heck. So, if it's the other way around for you, I might harsh your squee, just a fair warning.
Much has been said about both Irenes since
A Scandal in Belgravia aired (for the sake of this post, I won't mention Ritchie's Irene who didn't make much impression on me either way) and no opinion has more merit than the other. I can speak only for myself when I compare these two...
Doyle's Irene Adler
Granada's Irene AdlerI never understood why she became The Woman for Sherlock Holmes. She was an actress with a checkered past who used to be the mistress of a wealthy patron. I didn't really understand that part since a) the guy was a jerk and b) he was the heir to the throne. Esp. b) made me wonder what she expected from him. Marriage or what, that she behaved like a woman scorned? And what was her plan when she sent the letter, telling him about the photograph? How could he have thought it was anything but blackmail? And why did she send it when she was in love and about to be married anyway? Revenge? Doyle didn't really bother with logical motives sometimes, did he? Well, I think she was lucky that he wasn't a jerk enough to just send someone to kill her and burn the house down around her, it would've been an easier solution, that's for sure.
But let's talk about Irene and Holmes. So, she figured out who he was and followed him to be sure it really was him and then fled. Wow, good job there. After she had been specifically warned that Holmes would be after her, it was a real hardship to figure out that the one guy she let inside her house was the sneaky detective she was warned against. And what did she do? She packed her bags and fled in the middle of the night like a common thief. Wow, what an accomplishment.
You know what would've made her The Woman in my eyes? If she had stayed and waited for them to show up in the morning, lounging relaxed on her sofa, and then burned the photograph right there, in front of the king's eyes, told him to go and screw a donkey and then left the room with her head held high like a queen. Now THAT would've made me love her. But Doyle's Irene? She just took for the hills. Bravo!
Also, I thought that there were more interesting women in Doyle's stories. Like the daughter in
The Speckled Band who finally found the courage to stand up against her abusive step-father and went to Holmes for help. Or the girl in
The Solitary Cyclist who, when she realized she was being followed, first tried to ambush her stalker, then tried to chase him and then went to Holmes for help because she would not tolerate this! How awesome was she?
Moffat's Irene Adler
Lara Pulver as Irene AdlerNow here's a woman to my liking. And I don't care what anybody says. Why did she have to be a dominatrix? Moffat's a misogynist for using her sexuality! She had to be rescued by Sherlock in the end! Boohoo, cry me a river! For 80 minutes out of those 90, Irene played Sherlock like a fiddle, she made him dance like a puppet, she used his vanity against him, she used him to destroy Mycroft's anti-terrorist plans and then she threw him away like a used tissue. And let's not forget that she saved his life at the beginning of the episode. And if you think that was an accident, think twice.
So yeah, dear Irene Adler, how I love this incarnation of yours. An aggressively sexual, sensual woman who uses her knowledge of what heterosexual men and lesbian women want against them, to get what she wants. A woman who's not afraid of her sexuality, who considers sexuality pretty much fluid - lesbian yet attracted to Sherlock the way John's straight yet attracted to him too, see the scene in the warehouse! - who's not afraid to experiment and explore any road that opens to her. A woman who, just like Sherlock, doesn't let her feelings get in the way of her getting what she wants. A woman for whom this, the ep's plot, is NOT about a man! A woman who has one flaw - her arrogance.
And it was this arrogance that Sherlock used against her the way Moriarty used Mycroft's arrogance against Mycroft. It was her arrogance that allowed Sherlock to crack the password and destroy her plans. And why did he save her? He beat her, he didn't want her dead! He considered her an opponent worthy enough to go the extra length and keep her alive. Did he do it for anybody else (except for John, that is)? No, because he couldn't be bothered. But she, THIS Irene Adler, made an impact on him because she was smart as heck and knew how to manipulate people. And I don't understand people who disregard the previous 80 minutes for the last 10. Eh.
Also, she didn't work FOR Moriarty, what a nonsense. She was an independent contractor who sold him stuff she got her hands on. She wasn't one of his lackeys. Sheesh. Talk about reaching in your hate for the character!
So, all I can say is, thank you, Mr. Moffat, for introducing me to this exceptional woman. I'm a little bit in love *_*