Sherlock Uncovered
Jan. 31st, 2012 10:25 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
katikatI still can't watch The Reichenbach Fall as a whole, not yet, it's just way too heartbreaking, seeing all the pieces fall in place, knowing to where it leads. It really hurts. It's a wonderful episode, wonderful because it awakes these emotions, I just need some time to pass before I can sit down and watch the episode from the beginning to the end. I love to watch the first scene with John, then the one where John tells Sherlock he trusts him and then the ending: the roof scene and the last one. Those, individually, are painful enough but I don't start bawling. But if I watched everything that lead to them... Man, waterfalls! ;_;
On the DVDs, there's only one extra, a documentary called Sherlock Uncovered - similar to Unlocking Sherlock which is a fantastic documentary about the filming of S1 that should be available on YouTube in 3 parts.
-- The whole BTS of the "Punch me in the face!" fight. That was so funny.
-- Benedict Cumberbatch talking about the jump/fall thing.
-- Benedict talking about how Sherlock's way of thinking resembles a stream of consciousness, that in those explanatory scenes he has to talk much faster than he usually talks even in his fastest moments and that he usually talks really fast. And that Mark Gatiss wrote "Sorry, Benedict" on the script page with the long monologue that takes place by the fireplace in 202.
But what really got me was what Steven Moffat said at the very end:
Aww. This made me feel all warm and fuzzy and wonderful!
On the DVDs, there's only one extra, a documentary called Sherlock Uncovered - similar to Unlocking Sherlock which is a fantastic documentary about the filming of S1 that should be available on YouTube in 3 parts.
-- The whole BTS of the "Punch me in the face!" fight. That was so funny.
-- Benedict Cumberbatch talking about the jump/fall thing.
-- Benedict talking about how Sherlock's way of thinking resembles a stream of consciousness, that in those explanatory scenes he has to talk much faster than he usually talks even in his fastest moments and that he usually talks really fast. And that Mark Gatiss wrote "Sorry, Benedict" on the script page with the long monologue that takes place by the fireplace in 202.
But what really got me was what Steven Moffat said at the very end:
These are still the formative years of Sherlock Holmes. The most important thing about this series is not that it's updated, it's the fact that those two men are still young and they're still at the beginning of what they don't yet know is going to be a lifelong partnership.
Aww. This made me feel all warm and fuzzy and wonderful!
